Monday, November 11, 2024
The legacy of cannabis and the legacy of magazines collide to introduce The Other magazine: A magazine devoted to cannabis, its dispensaries, and the customers who partake in enjoying the plant that for years has been the forbidden fruit. With more states legalizing cannabis for recreational use, magazines devoted to the once forbidden plant are sprouting across the nation.
The Other is the latest entry into the cannabis consumer magazines serving the audience of the Hudson Valley in New York State and New York City. Peter Shafran, the founder and witty publisher, has high (pun intended) hopes for The Other. His wit is evident in the cover of the first issue. Take a look at the cover and read what he had to see about it:
“So if you look closely at the mountains, you’ll see that they’re not really mountains. It’s all cannabis. And the bridge, the base of each of the bridges are bongs, or at least the big bridge in the back is.
And this is all based on a real photograph. The big bridge is the Bear Mountain Bridge, which goes over the Hudson River, but the two boats floating on there, one is just a pipe, and the other one is a pipe, it is a boat with a puff on it.
The small bridge in the front, which is the bridge that takes you over the Taconic State Parkway, all those little side things, those are all joints. So when I bring this into the dispensary and I tell people, you know, so do you like the mountains? And they’re like, oh yeah, I like the mountains. I was like, do you really like the mountains?”
I had the opportunity to interview Peter, and his strategic communications consultant, magazine veteran, Stu Zakim. But first the soundbites:
On the name of the magazine: “The title of the magazine hearkens back to a newspaper that came out in 1968 called the East Village Other. It was one of the first underground countercultural magazines in the country.”
More on the name of the magazine: “But the reason we chose that name is because we as cannabis consumers have always felt that we were on the outside, we’re the others.”
On the reasons the magazine is regional: “We felt that the regional way was the way to go, because especially in the cannabis industry, much of the industry is vertically aligned in terms of the growing, the processing, the distributing and the retail is all contained in New York.”
On why The Other is in print: “Well, tactile. It really is. In other words, cannabis has its legacy. So do print magazines. And I think there’s a marriage there.”
On the mission of the magazine: “The conversation has changed so that we’re focusing more on the lifestyle, the alternatives, the education, the normalization and destigmatization.”
On the status of the cannabis industry: “The cannabis industry is so much mainstream now that they’re providing a portion of the revenue to these towns and villages that they never saw before, or at least haven’t seen since manufacturing was here.”
On the future plans of the magazine: “I really have no desire to go into California, Colorado, Massachusetts, or any of those places. What I’m looking for is a place like New Jersey, which has two or three years of growth. There is no magazine in New Jersey that does what we do.”
On the role of The Other: “It’s a wonderful place to be in because we’re past what we used to call the wild, wild West. But now it is a functioning, growing economy, and we’re able to be there at the ground level and helping make it flourish.”
And now for the lightly edited interview with Peter Shafran, founder and publisher of The Other:
Samir Husni: Congratulations on the launch of The Other.
Peter Shafran: Thank you.
Samir Husni: Would you please give me the elevator pitch of The Other and tell me what’s the idea behind the name?
Peter Shafran: Oh, sure. The magazine is a countercultural lifestyle magazine for people in the Hudson Valley, in New York City, for people who enjoy cannabis and other lifestyle things like psychedelics and the whole lifestyle. The magazine is a consumer magazine.
Unlike most of the magazines that are out there in the community, which are B2B magazines, this is a lifestyle consumer magazine. Though there is a little bit of a space here for another business magazine. So we’re going to add some industry focus on there as well.
I live in the Hudson Valley, which is why we started here and I grew up here. The title of the magazine hearkens back to a newspaper that came out in 1968 called the East Village Other. It was one of the first underground countercultural magazines in the country, which spurred on the development of other countercultural magazines in Berkeley and Chicago and a couple of other places.
That became the beginnings of the underground movement in the 60s. The people who wrote for the East Village Other were all the top minds and writers of the 1960s and the anti-war and revolutionary writers. So we hearken back to that to give them some props.
But the reason we chose that name is because we as cannabis consumers have always felt that we were on the outside, we’re the others. And even in terms of where we are today in the industry, probably not before a year or two ago was cannabis really discussed among real people, among my friends. I’ve been living in this village for 18 years and people did not discuss cannabis openly, definitely because of the stigma attached to it. We are all parents and we don’t want our kids to talk about it and stuff like that.
So it really has only been in the last couple of years where that openness, and of course, the legalization in New York and the opening up of cannabis dispensaries has changed the whole landscape. It has changed the conversation. We felt there was a vacuum here and we’re hoping to fill it.
Samir Husni: Why did you decide to fulfill that vacuum via ink on paper in this digital age?
Peter Shafran: Well, basically, because I’m insane. Nobody in their right mind would do this, but the reality is that the regional magazines and local magazines are actually flourishing. The national magazines, especially in fringe areas, have a hard time in attracting advertisers and attracting money. We felt that the regional way was the way to go, because especially in the cannabis industry, much of the industry is vertically aligned in terms of the growing, the processing, the distributing and the retail is all contained in New York.
The New York focus was really helping us to find that we want to make a regional magazine. But the eventual goal that “if we can make it here, we can make it anywhere,” to quote Frank Sinatra.
Samir Husni: Besides the fact that regional magazines are doing well, what do you think is the power of print in this digital age? What do you offer your readers, your customers?
Peter Shafran: (Holding the magazine in both hands) Well, tactile. It really is.
The response has been unbelievable. I’ve been driving around to dispensaries within a half hour, 45 minute radius. The magazine’s been out a week.
Every place I go, I wear my shirt or I wear my hat (with the magazine name on them). I walk into the dispensary and one of the workers in the dispensary says, I know that logo. Where did I see it before? Is this where you saw it? And every single bud tender, every single person in the dispensary is like, wow, this is really cool.
Why hasn’t somebody done this before? We’re seeing that from across the spectrum, from the readers to everybody we’ve seen. We went to, Stu and I, and a couple of members of the team went to Reveille Buyers Club a couple of weeks ago when we started talking about the magazine. The magazine hadn’t even been out yet, and the buzz around it was huge because nobody else is doing it.
Stu: There’s another cannabis title out here, but it’s newsprint. Unlike Peter’s point of a tactile and the beauty. A slick, glossy, four-color publication in an era where, to your earlier point, things living digitally is amazing, number one.
It’s an emotional attachment, which I think we all have. The newsprint book has never taken off. You know, it’s not well designed.
It looks like a high school project. When people see The Other at the retailers, at the point of sale, where they pay for the products, curiosity will definitely attract them. They’ll see this gorgeous cover, which in itself has a little gimmick built into it.
Peter, I don’t know if you’ve explained that or not. And, you know, the demographics of the cannabis consumer are me and Peter. And, you know, not that we’re old men, but we grew up in the, we grew up with magazines and the role they played in all of our lives was very central.
So it’s, in other words, cannabis has its legacy. So do print magazines. And I think there’s a marriage there. That’s one thing that’s going to work to their advantage.
But the reality is that community with a big C is really what we are looking forward to becoming the community focus for this region.
Samir Husni: How is The Other different than the cannabis magazines of the 70s and 80s, such as High Times, Inside Dope, The Weed Journal and all these titles that were published before it became legal?
Peter Shafran: Very easy answer. Before we didn’t have dispensaries. So the curiosity, ooh, let’s see what marijuana looks like.
And you’ve got these beautiful pictures, now we call it cannabis, but the whole industry has become such that the curiosity to see something in a magazine, first of all, you can see anything you want on the web. So you don’t need to see beautiful pictures of a bud. Now, of course we have, but I have buds in my background of my pictures, more of a joke than anything else.
The realization is that we have evolved from that point where we’re curious about what bud looks like, because you can walk into any dispensary and see exactly what bud looks like. The conversation has changed so that we’re focusing more on the lifestyle, the alternatives, the education, the normalization and destigmatization.
Also one of the things that New York has going for it that some other states don’t have, is a very strong social justice part of the industry where specifically it was designed to let mom and pops come into the dispensaries and to the growers and the processors and not the multi-states which are coming in, but the mom and pops have the stronghold.
They’re already in here. They’ve been nurtured and they’re growing and developing. So it’s a lot different than it was in the seventies.
Samir Husni: You mentioned in your magazine introduction that the Hudson Valley have changed from what used to be a pumpkin growing area to a cannabis growing area. What’s the reaction of the consumers? Has it been accepted now? Is it just a matter of fact?
Peter Shafran: Number one, New York has the highest use of cannabis than any other place in the world, in terms of per capita. Number two, growing up in the Hudson Valley, my father was a home builder. And the three things that they used to say are going to bring this area back is an international airport.
Well, we have that in Newburgh. High-speed rail, we don’t have it. Casino gambling, we don’t really have it. There’s one or two places around here, but all the things that they promised were going to happen to revitalize the economy in New York, never really happened in those terms.
What’s going on now in cannabis in New York is just incredible. Between the processes and the growers and everybody else that’s coming in here, the jobs and the local towns, the villages, the municipalities, the development corporations, they’re seeing real growth.
It’s not just the dispensaries. They’re employing 500 people at a facility when nobody else is putting these shovels in the ground to build processing plants, to build grow houses and things like that. So even the most right-wing conservative politicians and people who follow them are saying, well, wait a second, you’re building construction jobs, permanent jobs, money coming into the community, both in terms of sales and retail, but also in terms of taxes.
The cannabis industry is so much mainstream now that they’re providing a portion of the revenue to these towns and villages that they never saw before, or at least haven’t seen since manufacturing was here. But going back to the pumpkins and apples, there are still plenty of pumpkins and apples, but several of the smart people in agriculture, like the Hepworths, for example, realized that this is coming and had the foresight to say, let’s start growing. So people who were worried about surviving in the agricultural field now have a secondary and sometimes a primary source of income that is not related to pumpkins and apples.
There’s a company called Ayrloom, which started out as an apple grower, one of the most successful apple growers. And still is. They make delicious apple cider. Well, now they make really good apple cider with a little bit of a hint inside. And I’m a fan.
I happen to love their honey crisp apple cider, which is just absolutely delicious. But here’s a company who been growing apples for a hundred years, and all of a sudden grew into one of the major players in the region. So from the economic standpoint, it’s fantastic for the Hudson Valley. It’s fantastic for the state of New York.
Samir Husni: Do you envision seeing more of lifestyle advertisement or are you on purpose sticking to the advertisement from the cannabis industry?
Peter Shafran: No, we’re actually going about 50-50. That’s our focus now.
We’re hoping to do that in the next round of advertising. But we’re looking at our magazine as more of a lifestyle magazine rather than a cannabis magazine. And the difference is that we’re talking to advertisers and saying, we have a base of probably 250,000 readers geographically in this region.
And that’s not to mention New York City, but just 250,000 people who can read the magazine in the area. And guess what? They buy cars. And guess what? They buy cookies, and they buy candy, and they buy all kinds of things that they want to eat after they smoke.
So we’re approaching the snack companies, the insurance agencies. I mean, we are a niche lifestyle brand, but the numbers are just too hard to ignore.
Stu Zakim : If you look at the other categories, Samir, for advertising, one of the biggest growth areas as an ancillary to the cannabis is cannabis tourism, where they’re taking people from the city or wherever.
They pay a lot of money to go on this tour bus. They come up. They check out the farm. They get to see the fields. And there’s hospitality. There’s hotels that are, since it is legal, welcoming this new population for them because it’s a new customer base.
And rather than having a chocolate on your pillow at night, you may have an infused chocolate on your pillow. And they can serve infused beverage. All this stuff is an offshoot of what Peter’s been talking about with the growth in the industry.
And the other categories, to his point, if we just restricted ourselves to dispensaries and farms, there won’t be any revenue. It’s these ancillary categories that are more normal to regular publications that are actually, as the consumer, it’s not cheap to be a cannabis consumer. So you have to have a lot of extra income, which is the same logic when Rolling Stone transitioned from their newsprint and they became a slick glossy, they went after cars and autos and fashion and beauty and other lifestyle categories who felt more comfortable living in a magazine that had that feel to it and also the kind of customer readership that they had.
Samir Husni: Peter, before I ask you my typical personal last questions, is there any question I failed to ask you or anything you would like to add?
Peter Shafran: Good question.
The growth model that we see here is, you know, in answer to one of your previous questions about why we go regional, I think that this model can be replicated in other areas. I’m not looking to become a national magazine. I’m looking to make The Other something that can be duplicated in certain areas, especially in new growth areas.
I really have no desire to go into California, Colorado, Massachusetts, or any of those places. What I’m looking for is a place like New Jersey, which has two or three years of growth. There is no magazine in New Jersey that does what we do.
There are very few places that do this kind of magazine, which is why I go back to the point of being insane. Maybe I shouldn’t be doing this, but the reality is the buzz around the magazine has been huge. And we’re just seeing fantastic replies and the growth in just in our Instagram page in the last couple of days has just been explosive.
Our model was providing free magazines and putting them in every single dispensary in our region. So we distributed 5,600 magazines in one week to dispensaries and ancillary places. And in one week, we’re already getting responses: We need more magazines.
In addition to being a magazine, we have realized that what we can become and what we’re really launching towards is becoming the backbone of a community. There are groups out there that have networking events and they have little things in here, but there is nothing here that is really containing in terms of the lifestyle and the advertising and the culture for this region.
What we’re finding is when we talked to a couple of dispensary owners in the last couple of weeks, and I floated the idea about starting a dispensary owners roundtable. Every single one that I spoke to said, I’m in, tell me when you want to do it. And last week, in bringing the magazine to different places, I said to the bud tenders, what do you think about having a bud tender event of the month? Like, yeah, you want to do it? If you’re going to be providing something free, we’ll all come.
But the reality is that community with a big C is really what we are looking forward to becoming the community focus for this region.
Samir Husni: Excellent. Well, my typical last two questions are if I come to visit you unannounced one evening, what do I catch Peter doing? Smoking a joint, drinking a glass of wine, watching TV, reading a book?
Peter Shafran: Well, so the easy answer is that I have become over the last year or two, more of a, maybe not a connoisseur, but I’m learning how to become a connoisseur.
But what I found is that prior to my involvement in the magazine, and prior to probably two years ago, I used to have a glass of wine with dinner every night. I haven’t opened up a bottle of wine unless company is coming for about six months, maybe more. I’ve had a sip of beer just to taste it in the last couple of months.
So one day I’ll roll a joint and smoke it. And the next day I’ll smoke out of a pipe or a bottle or I’ll do a gummy. The wonderful thing is that we live in a society right now where choice is unbelievable. It was whatever the guy had is what you got for 40 bucks. You got an ounce of whatever he had, whether it was terrible or not, it was what you got.
And now you go in for to any dispensary and you got two, three, 400, a thousand skews of products and it’s dizzying. That’s one of the things that we can provide is that benefit to say, we’ll give you reviews. We’ll show you what’s out there.
It’s a wonderful place to be in because we’re past what we used to call the wild, wild West. But now it is a functioning, growing economy, and we’re able to be there at the ground level and helping make it flourish.
Samir Husni: My typical last question to you is what keeps Peter up at night these days?
Peter Shafran: Well, of course keeping the magazine funded. We wanted to get the business of the magazine up so that that could be our tent pole to be able to use in other areas. We have a newsletter coming out, an online presence, and the live events, which will provide streams of income to be able to fund everything together. But until that happens, it’s hard to go to sleep at night. But I just take a gummy and I’m fine.
Samir Husni: Thank you very much. I really appreciate your time.
StuZakim: But as a hardcore magazine person, you know, the, the role of this format has been diminished over time. And here, I think it takes courage in this rather tough market to break out a new title. To your point about the earlier titles of High Times and all that shit that’s another generation.
We’re in a new world now. And if not only educate people about it to help eradicate the stigma against cannabis, educate people about the beauty of the magazine format and why photography jumps off the page. I mean, look at that cover.
You’ll never see that in a newspaper where it catches your attention as you walk by and bringing this to a whole new group of people who haven’t really grown up with it the way we did. So, you know, whenever you get to it, it’s fine. I would appreciate the, the forum, the platform, and as you know, I’m, I’m just really thrilled that this conversation is taking place.
Samir Husni: Thank you